LOOK AT THE EXACTNESS OF THE BIOSONIC PROGRAM
The demonstration that it picks up the Fundamental Frequencies
, voice analysis
SECOND MODULE FFT
Understand the difference between FFT and the Chromatic
Understand how COHERENCE is shown in FFT
Adding several windows and analysis to the first module of the Chromatic.
1.-The same window will have two functions, one for a non processed FFT in time sequence (A) and afterwards it will become (B) a window to show the processed FFT in frequency sequence from 1 to 1000 hertz.
A.- This window will be visualized while one processes and hears the wav file and will show the frequencies of the non processed FFT in time sequence and the harmonic cascades created by the vowel sounds in simulated real time, we can hear the person talking and see the frequencies moving along the time sequence, this will help us see when the harmonic cascades have reached more harmony and hear what the person is saying, and also see where the harmonics have been modulated a lot by the resonant box of the mouth, toungue and breathing.
B-Once the wav has been heard and seen this window will show the processed FFT from 1 to 1000 hertz, not time related. As it finishes it will show the background colored with the range belonging to the three main octaves information taken from the Chromatic module as the personalized octaves and it will have the option to choose the see the background as a grid with the sections belonging to the notes calibrated according to the birthdate on the Chromatic module. This window will the three colored sections beloging to the range of frequencies from the Main Physical Octave, the Cellular and Emotional octaves, information obtained from the Chromatic module. Inside this new three sections window one can choose a line of a frequency with the cursor of the mouse and see the frequency number. Also be able to Zoom in a section marked as a note or a few notes range, by dragging the cursor of the mouse over the desired section, with the possibility of traveling the rest of the window in that type of zoomed view. When a frequency is marked with the cursor a line appears in the given frequency and a broken line appears in the opposite or inverse frequency, also will be marked with lines all the frequencies that are the same, in the rest of the octaves. In the text of the upper section of that window both are indicated the frequency as one moves de cursor by the window, its inverse frequency and the note to which those belong according to the calibration of the birth date of the person, information taken from the first Chromatic module.
C.- Also the number of hits belonging to the most amplitude frequencies from the processed FFT will be added to the General window of the Chromatic module. Only the General window of the Chromatic will be shown when the FFT module is opened. A person can choose to see the hits enter the Chromatic General Window as one hears the voice of the person or see the non processed FFT with its harmonic Cascades described in point 1A.
3.-A window in SPIRAL graphic where we could choose to visualize it in two options:
A.- Look at the Grid over the Spiral with the octave and personalized calibrated notes grid or just one continuos color related to amplitud spiral. When looking at the octave-note grid, we can also choose to visualise one octave or all the personalised octaves, separating and personalizing the octaves above and below the Main Physical Octave from the infomation obtained in the first module of the Chromatic, below the Cellular, and above the Main the Emotional. Above this one the Astral, the Mental and the Spiritual Karmic realms, or octaves above, the highest would belong to the Soul or Karmic code. With the option of seeing it as a grid we can choose to see it as full waveform or lines, and will be able to choose to see it in 60, 50, 40, 30, 20 and 10 percent separated by the personalized octaves for the person or the wav file being analised. Also the personlaized octaves will be interpreted (research in process done with Lauren Gardfield of Bioresonance).
B.- We can choose to view a continuous colored graphic with the frequencies with more amplitude in color red, while the least amplitude will be shown in blue and the rest in green. This will allow to look for geometrical patterns in the voice or know where to look for frequencies to help the evident pattern or geometrical signature become more harmonious. These patterns will be further analised in the third module on Coherence analysis.
1.-The Harmonics of any frequency, with the harmonic distortion of the frequency that is chosen, to decide in which octave happens the distortion upon harmonic progression , either Emotional, Astral, Mental, or Spiritual-Karmic, aswell as which note this distortion occurs. Looking at the progression of the fundamental frequencies given by the Chromatic module, and searching where the harmonics decrease. dessapear or increase. This will be further analysed in the third module of Coherence.
2,- To collect all the frequencies related to a specific fundamental frequency in several octaves and compare the amplitud in which the fundamental frequencies have appeared in the Chromatic module and in the processed FFT. Also look at where amplitude of these harmonics is changed a lot by the modulation of the mouth, toungue and breathing, as a mark of emotional, mental or spiritual implications.
3.- Analysing the frequencies of the spirals Yin Yang, of 3 + 1- and 3-1 + patterns and all their related frequencies, seeing patterns of related inverse frequencies, Yod 216 or 150 degrees, (light reciprocals by Sharry Edwards) and Diablo frequencies used for detoxification frequencies(x 0.666 or / 0.666).
4.- Decide which frequencies and harmonics of any of the fundamental frequencies have a certain wave form as they a repeat pattern, certain wave forms of decreased amplitude Stringers, high amplitude Peaks and similar amplitude Truncated, to visualize them. This can be accomplished in a frequencies range according to the calibration of the birth date, belonging to a particular note which we desire to zoom into and to study in depth to look at coherence and for treatment.
5.- Analyse the geometrical shape the spiral FFT will have and decide in which section it will help that geometrical pattern will become more evident or perfect. This will be further analysed in the third module of Coherence.
1.-Text of all the Octaves, Genetic-Cellular, Main of the Body-Physical, Emotional, Astral, Mental, Spirítual- Karmic, with the missing and in excess notes and the meaning for each Octave and each note. (research done with Lauren Gardfield of Bioresonance).
2.-Text of the harmonics and the harmonic distortion, from any chosen fundamental frequency and the octave and note where the distortion appears or less amplitude ocurrs.
3.- Text and number of frequencies belonging to the wave forms of Stringers, Peaks, as well as Truncated, of all the FFT or of a range belonging to a specific note. (research done by Lauren Gardfield of Bioresonance).
4.- Notepad will show all the
chosen frequencies, belonging to a specific note or a specific section
of the FFT. Also the chosen frequencies that show an interesting
pattern of harmonic distortion. This will be able to be printed and
exported to any other computer FFT program.
HERE WE SHOW
ANOTHER OF THE WAYS WE WILL CREATE IN THIS MODULE WITH FFT, TO START
LOOKING AT THE GEOMETRICAL PATTERNS THAT ARE HEAVIER FREQUENCIES
COULD SKETCH AS BECOMING, TO SEE THE PERSONAL VIBRATIONAL NATURE
OF COHERENCE,,, THE COLORS WILL FOLLOW THE MOST HITS IN RED THE LEAST IN
BLUE OR THE MOST MANGNITUD IN RED TO SHOW IT IN AN ALMOST 3D SPIRAL
, THAT IS INSPIRED ON THIS RESEARCH FROM THE UNIVERSITY OF BERKELEY.
WE COULD THEN LOOK AT THE PLACES THAT BREAK THE FORMATION OF THE GEOMETRICAL PATTERN THAT SEEMS TO BE BECOMING,, AS THE COHERENT VIBRATIONAL SIGNATURE OF THAT PERSON,, AND THIS WILL HELP US TO CHOOSE THE AREAS THAT NEED HIGHER AMPLITUDE OR MORE HITS OF FREQUENCIES, TO BECOME COHERENT. This is inspired in the Fluid Dynamics researh from Berkley University.
The Computational Fluid Dynamics Laboratories
Research Summary: Projection Methods in Rapidly Rotating Flows
The numerical method I
use is a second order predictor-corrector method with Godunov advection.
I am adapting said method for use with rapidly rotating flows.
As far as I know, this is the first implementation of a projection method in polar coordinates.
Here are some preliminary results:
Flow evolution in a rotating
annulus: 64 (radial) x 320 (azimuthal) calculation of a vortex duel in
a shearing flow. Perturbational vorticity shown at initial condition,
100 time steps and 700 steps. CFL = 0.5. The blue vortex has the same sign as the background shear and is persistant. The red vortex has the opposite sign and is
Flow evolution in a rotating
annulus: 64 (radial) x 320 (azimuthal) calculation of a shear layer with
a background shear. Perturbational vorticity shown at initial
condition, 100 time steps and 600 steps. CFL = 0.5. Eventually this reverts to the previous problem and all the vorticies merge into one.
For more info, send me mail
Back to dan's page http://cfd.me.berkeley.edu/cfd/
"Adaptive Numerical Methods for Partial Differential Equations", US Department of Energy Mathematical, Computing, and Information Sciences Division, Grant
"Computational Fluid Dynamics
and Combustion Dynamics", US Department of Energy High-Performance Computing
and Communications Grand Challenge
Program, Grant DE-FG03-92ER25140.
SACRED GEOMETRY AND SPIRALS PATTERNS IN VOICE ANALYSIS, TO HELP YOU CHOOSE THE MOST EFFECTIVE FREQUENCY TO HELP EACH INDIVIDUAL, TO BOOST THE NATURAL HEALING SYSTEM.
Look at this graphic in animation and many of the explanation of Dan Winter's web pages about Coherence and sacred geometry of love.
BETWEEN THE CHROMATIC AND FFT
The Chromatic module will register the fundamental frequencies meanwhile the FFT shows all the harmonics.
THE VIBRATIONAL EXPLANATION OF THE UNIVERSE
The dynamics of light and darkness describe the vibrational world of color and sound.
COLOR, THE 5 ELEMENTS AND THE
The Chromodynamics of the I-Ching is used to describe the 5 elements, and the dynamics of vibration.
The molecular weight is related to sound, hertz.
Why we need to personalize the notes to an individual birthdate.
What the principles of harmonics portray in nature and how we see them.
GOLDEN MEAN, PHI RATIO
Nature presents itself and grows in the proportion of Sacred Geometry used by our ancestors to construct cathedrals and temples.
IN THE VOICE
How to see and define the changes in the voice.
All we need to know about the discovery of the universe through LIGHT.
IN THE VOICE AND EXPERIMENTS WITH LIGHT,
How to decide the notes to use with Ocular Light treatment and see changes in the VOICE, EEG, and EKG.
AND THE USE OF PSYCHOLOGY WITH THE VOICE
The dynamics of light and darkness describe the vibrational world of color and sound.
HOW EXACT IS THE BIOSONIC
Demonstrates how it picks up exactly the vibration of any audio file and the fundamental frequencies.
What it means to be coherent in all the body pulses, and how it can help our state of health
AND THE BELL CURVE
How we can see Coherence in any vibratory element in nature and in the BioSonic program.
TO CAPTURE AND USE THE FREQUENCIES.
To learn more on COHERENCE and
Voice Analysis contact the author of the BIOSONIC method and computer program
Marysol Gonzalez Sterling
return to first page on Voice Analysis & Coherence.
Sound Therapy with voice analysis and treatament of brain resonance with sound frequencies.
CRANIAL WITH DOLPHINS
Sonic therapy with unwinding in the water accompanied by dolphins. Cranio- Sacral Osteopathy with tuning forks. Voice analysis of brain frequencies.
Energetic Osteopathy based on the movility of the cranium bones.
Sacro-Cranial therapy with sound and tuning forks.
Diagnosis and therapy of the missing color with prisms and solar light.
Holophonic Recording as Biosonic Cranial Therapy private session.
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