What about if there is too much change in the voice?
In a period of time that we are stable the voice is consistent, presents similar stressed notes and weak notes. With some persons the 3 stressed notes, 3+1- Yin spiral is more constant, and with others the 3 weak notes, 3-1+ Yang spiral are more consistent. Some persons since early morning their voice changes a lot to the afternoon, others it is different before they eat, than when their digestive system is working, because they have metabolic problems. But generally, our voice is consistent for a number of years. As the person grows older and is more tired, the voice also becomes lower, with less energy and cannot reach their higher frequencies, it drops around from half and octave to a full octave, in really heavy cases of illness. That is the reason, if we have a lot of hits in the octave below the main octave, it represents an important multiple cellular octave and needs to be taken into account. It will portray a scenario where that organ or related meridian is loosing energy and could express cellular deterioration. We would need to see this consistently appearing in several of the voice analysis to be taken into serious consideration.
In the Chromatic presentation there could be no changes or only slight changes in a person during many years, as it is expected if nothing extraordinary has happened. You can also expect persons with a terminal illness, even cancer showing great spirits at that moment and the voice is highly spirited. Showing very little imbalance, almost coherence, similar number in most notes, at that moment we can expect that their immune system and healing system is working, the issue will be how long can she maintain that wonderfully musical voice?
The voice is also like a muscle that as one uses it more, or speaks more if they have energy to do so, then it becomes the clearest it can at that moment. Tha is the reason why early afternoon, or after lunch it reaches its peak with most persons, and at times that a person is in perfect health it could reach its best or much coherence. When a person is coherent in the afternoon, we need to take that into account for the analysis, and take decisssions with the lowest voice or worst in the morning to decide which notes are the weakest. The reference of the coherent voice will aid us to know what we would like to reach as a better voice from earlier in the morning. This is also, because if the person changes a lot, but never reaches coherence but just changes into irregular patterns all the time, then we know that the afternoon voice is at its best, and maybe we decide to start the decission of notes from this one.
Why does everyone want no changes
in the voice???? Yes it would be eassier to make decissions to analyse,
if there were no
changes,,,,but life does not seem to make things easier for us anyway, so that would not portray the real truth either... You should all experience the problems we have analysing voices of CP children in the Intensive BioSonic Cranial programs, with kids that only cry, shout or mumble,,, we have become specialists of distinguishing meaning of cries helped by their mother. We need to know what the cry could mean, to know with which type of cry we can expect a reversal of their voice, because they are giving themselves what they need.
We need changes,, we need people
alive and responding to their environment.... the same as it is good
to have Heart rate
variability,,, it is also good to show at least some change in the voice,,, it means a person is alive. I have found less changes
in persons voices in the US,, many monotone,,, shy and non commital voices,, meaning that most persons are not enjoying much of life. Oh well!!!
If we have a few analysis giving
different results, we should always choose the one that is the lowest voice,
meaning the one that
has lower main octaves and know that when the voice is better it moves to a voice which has a higher pitch and more notes in higer
IF IN DOUBT WHICH ANALYSIS TO
CHOOSE, ALWAYS CHOOSE THE ONE THAT THE VOICE IS LOWER, THAT PRESENTS LESS
Also, at times a person shows
many changes in the voice, and it is different if they talk on a different
subject. You can tell just by hearing them, that they sound different with
each subject matter they speak about, they had a mood swing. Or they are
in an unstable period, and it shows in their emotions, as well as in their
voices and physical wellbeing. Their physical wellbeing and
stability is also changing, it is more challenging to decide which is the
voice analysis plot we need to take into account to decide the note or
frequency to deliver as therapy. Generally, the lowest octave voice is
its worse, with less energy and the highest is best, so decide to start
how to reach its best voice earlier in the day, to be able to decide which
is the best voice plot that we can reach, or obtain.
ALWAYS CHOOSE THE ONE THAT THE VOICE IS LOWER, THAT PRESENTS LESS ENERGY.
CHANGING THE VOICE WITH VIBRATION.
What is a better voice?
First of all we need to establish when a voice analysis or a voice plot shows that the person has become better?, or the voice is better now than before the treatment?
If you look at FFT and you give the high frequencies inverse, you hope these have come down after treatment?, do you really double check if this happened? , or if you give the low stringers of the FFT, you hope that they are not lows after treatment?
How many analysis do you do in one session? do you find the same amplitude in those frequencies in every analysis done the same day, the same hour?. I generally do 3 analysis everytime I see a person and 3 after treatment, and this makes it real difficult to choose frequencies in all 3, that is why I need something else to help me decide where to go to look for frequencies. Many things change from one moment to another in frequencies, and it is logical the subject matter they are talking is different, they have used different combinations of vowel sounds.
Did anyone of you see the voice turn around completely and become coherent? The lows become high and viceversa?,
I could show you many examples of this, and while you hear the voice recorded you hear the change in the voice, it is happy and joyfull that is why it is coherent. Meaning it has almost the same of all the notes and in the FFT is like a river without curves or with no ups and downs. (the 2nd module of this software program will be on FFT)
The voice always becomes clearer, with a higher tone, this means that the main octave has gone up in a few notes. For example if a woman has C and C# in the mid C octave and the rest in the -1 octave, when she is happy and coherent (similar amount of hits for each note), D and D# will have gone up to the Mid C octave too, and that made the weak notes became filled up. There are no more highs ans lows. I generaly do not use a pulsoximeter, to see what the sound being delivered to them as therapy does to them, I have analized the voice, so I want to know what it does to the voice. That is the reason why I do another analysis while the person is hearing the frequencies through the headphones and see if this is happening in the voice. Even the 3 high notes can become the 3 low ones, but with smooth transitions or differences. I call that the reversal of spirals. Actually you have a real example of my voice like this in the programís greeting wavs or explanation wavs, the wav of my voice explaining how to use the program in the Future window is reversed from the others, and you can hear my voice changed.
If you go to the graphics that show the 12 notes in a circle, you will see that C is opposing or inverse from F#, C# to G, D to G#, D# to A, E to A# and F to B. This way it is clear which notes are complementary or inverse to one another, and you will see clearly the spirals, or groupings of 4 notes, 3 on one side and 1 on the other. The spirals or 3 maximum or stressed notes could become the 3 minimum or weakest notes, when one fills in all the notes evenly and becomes vibrationally coherent. To explain to you about the spirals, they are patterns where 3 notes influence one note, but look at your analysis, there are always 3 notes together that are overloaded and three together that are weak. These are influencing the one opposing the center note of the 3 and is the most important in stress or weakness. By concentrating on that single high or low note you influence 3 on the other side. Also the interpretation of the 3+1- and 3-1+ gives a wonderful synthesis in interpretations. In the FFT (Fourrier Frequency Transform algorythm) you do not see it so clearly because all the frequencies are mixed, the fundamentals and the harmonics. It is a basic pattern that ocurrs in the main octave with the chromatic and that will help create or deform the Bell curve of coherence. I will get more research done on coherence for the 3rd module of the Biosonic program, when I can see what I want in the chromatic aswell as the FFT. The Bell curve is a perfect rise and fall, every vibrating entity has a Bell curve.
What do we understand by coherence? Is coherence a way to determine if the person is geting better?,.
I believe that is completely true, not only from the voice but from the Heartlink and the Brainlink. If not how do you know if the person is getting better from what you gave them as sound or distinguish the results from all those other treatments they do on the side?. The problem is that most persons are not consistent, or do too many things, Vibration and sound will always move things inside their organism, and make them rearrage some functions... but do you think we know what we are giving them, really did what we expected?,,, how do you go about to prove this?
Many sound practitioners use a PulseOximeter to see the reaction of the oxigenation and the heart, while testing a frequency to deliver as therapy. Do they really believe that the pulseoximeter is telling them how the sound is reacting in them?, ,, why not determine how their organism is reacting to the frequency being delivered as therapy, by the voice itself, doing another analysis while they listen via headphone to the frequency chosen?
The concept of coherence is a priority to understand how a person is getting better. Coherence on the voice, is having of all musical notes almost even, the same as all colors, no highs and lows, every note in harmony with the others, a perfect rise and fall, or Bell curve. There will always be 6 notes slightly lower and 6 notes higher, that rise in a slow progression, in a harmonic manner and fall that way too. I now understand much from the notes and octaves point of view from the chromatic type analysis, but we need to move this to the FFT in the second module of this software program, to undertand how the harmonics come into play with all of this
HOW THE VOICE CHANGES
There is a certain pattern for each voice,,, a higher, clearer voice always portrays energy, health and happiness and a lower voice tiredness, depression, illness. The voice will slowly move into more coherence, by doing more hits or frequencies towards the right of the chromatic grid or mentioning more frequencies belonging to higher notes,,,, If D,D#,E are very high or in excess,,, making E, F,F# higher will balance out to less excess of the Ds, and easily some vowel sounds can be expressed slightly in a higher tone,,,, not suddenly unless there has been an emotional outburst or sudden surprise,,, lets say that it is easier to make the Fs higher than the missing A that are the weak or missing notes. When the Fs start to rise,, the Ds, E are more balanced and then the weak As are not as weak.
That is the reason the 3 maximun notes seem to move to the right of the chromatic grid, aswell as the 3 minimum notes... Then it is also easier to move the voice slowly into a change,,, when the voice becomes higher it always rises a few notes to the higher octave,,, that is the reason we need to decide the main octave of the voice (presented in red in the Chromatic module of the Biosonic program), which is the octave in which each note gives more hits or frequencies. slowly note by note rises to a higher octave because the tone of the voice or vocal chords is becoming lighter, and cleaner, as if we were recuperating our youth. We need to take this into account to decide to affect changes in the voice,,, and this is an essential decission of the range of frequencies or notes where to look for frequencies in the Nutritional Database. Lets say it will tell us that we first have to balance the digestive system before we can do an effective change in the lymphatic system, for example... Everything is related, so it will mean how to find the frequencies to slowly shift the energy of the person into more balance. Going directly to the weak As or frequecies in that range of A and A#, might not respond or maintain the correction,,, meanwhile by slowly balancing the whole voice we will help the person do a gradual change,, and portray that definite change in the voice.....
I had discovered this a long while ago,,, but now it was confirmed by the light prism treatment,, and seeing the notes inverse or complementary to the color I was using were the ones most affected, instead of yellows going up, green went up,,,, and it is logical,,, by giving myself Magenta from B. This actually confirms too that Fs are the green color,,, because I saw things in green after saturating the Magenta in my eyes, and the Fs notes became also much higher in the voice.
More examples will continue in the LIGHT EXPERIMENTS page.
RESEARCH ON VOICE CHANGES
For this reason, in our research I propose the following:
1./ Certain foundation needs to be established as to what we call a better voice,,, or what is the aim we are looking for in the voice to let us know that the person is getting or feeling better,,,, we should not rely on what they say or in other biofeedback tools,,, the voice itself should let us know that there has been a change. This is my first requisite and why I started my quest of understanding vocal coherence. What I have been presenting to you is what we want to see in the voice to express that a change has ocurred in the personal physical wellbeing. which for sure the Chromatic type analysis portrays,,, the FFT shows too much, too many frequencies with all the harmonics, portraying a lot more than the physical,,, which is also very important, but until we do not understand the beginning we will not understand the other. That is the reason I do another voice analysis while the person is listening to the frequency chosen for treatment and it will tell me what is happening.
2./. There is a certain lack of research mind in many sound practitioners, believing that this technology is already ready, and it is not,,, it is far from portraying a stable picture for treatment or healing... Sound and vibration will always move things and help, but we are still in the dark as to what is happening in the persons organism. There has been a lack of research,,, just the idea of analysing ones own voice during several times in a day and seeing the change is essential,, to understand the patterns of our own voice and how it portrays the worst scenario and the best, when we can confirm we felt great, is very important to see what we want to achieve as better voice. If we understand it in the voice of the persons around us and ourselves we will know what we are looking for in another person... I am giving you this research, but always ask all of you to do it for yourselves, to have an inquisitive mind and just not take it from me,,,, I am sure of what I have discovered, because I have been able to repeat it with many persons, I am just fine tuning it now and I always start the experiments with myself.
3./ I do not know if some of you are seeing the changes in the voice analysis or just taking for granted that the person feels better,,, sometimes there are many placebo effects and other things that interact. We need to see it in the voice analysis itself,,, and study how the voice changes to understand what we can expect. We can rely on other Biofeedback tools but if we are deciding the treatment from the voice then we should see the results of the treatment in the voice. I do not know if you have been able to see this and have produced drastic changes in the voice of anyone delivering sound or other vibrational treatment.
4./ For this reason we need that the program for voice analysis becomes a biofeedback tool, and also capable of hearing what it is spoken and see what it does. This is the reason I will follow from the Chromatic to FFT modules of the Biosonic program in that way, we will be able to see the non-processed FFT with all the harmonics rising and falling while the person speaks ,, always being able to access the whole information that we had before, hear the person speaking and compare it with the new analysis.
My question now is how do we affect permanent changes in the voice?,,,, I have observed that at times the voice takes a while to show the changes of vibrational therapy, when I use tuning forks for some persons it will show one hour later, I am not sure yet how long it seems to stay,,, when I use a frequency belonging to a nutrient it might not show any change at all and other times show up immediately and then go back to what the voice was originally after a couple of hours,,,, how much listening a person has to do?,, might be individual,, but I have not reached any conclusion with this yet.
I want to say that in the FFT the changes are often, sometimes too often, with any subject matter,, because it shows all the harmonics , so one can see many more changes that do not stay, that is the reason I believe we should study the octaves above the main physical octave as belonging to the emotional, mental and spiritual bodies,,,, Lauren Gardfield and I started this a few years ago and she has much experience with it. In the FFT just a different intonation or subject matter should affect changes in the harmonics, that come out of the shape of the resonant box, mouth, tongue, facial expression. But in the chromatic type analysis of the Biosonic, that gives us the fundamental frequencies of the vocal chords, it is harder to see or affect changes, unless a person is in a changing time. Then it could show the various patterns it could now go into, meanwhile the general pattern seem to maintain itself all the time and during many years.
What I am observing now is a
very strong change in my voice happening with the light ocular treatment,
again after one hour or so is when the changes seem to appear and stay
for the whole day,,,, there is some tendency of becoming a little like
before at night when I am tired or early in the morning when the voice
is muddled and lower,,, at least in my case... I have seen persons who
wake up in the morning with the same voice they have the rest of the day,
but I think this is rare too. More about voice changes with light,
can be found in the page on EXPERIMENTS
WITH LIGHT and PRISMS. PHOTONICíS
How to define the psychological types from the voice.
How to define the octaves of the physical body, the emotional octaves y and the celular octaves.
The molecular weight is related to sound, hertz.
Why we need to personalize the notes to an individual birthdate.
All we need to know about the discovery of the universe through LIGHT.
IN THE VOICE AND EXPERIMENTS WITH LIGHT,
How to decide the notes to use with Ocular Light treatment and see changes in the VOICE, EEG, and EKG.
THE VIBRATIONAL EXPLANATION OF THE UNIVERSE
The dynamics of light and darkness describe the vibrational world of color and sound.
COLOR, THE 5 ELEMENTS AND THE
The Chromodynamics of the I-Ching is used to describe the 5 elements, and the dynamics of vibration.
AND THE USE OF PSYCHOLOGY WITH THE VOICE
The dynamics of light and darkness describe the vibrational world of color and sound.
HOW EXACT IS THE BIOSONIC PROGRAM
Demonstrates how it picks up exactly the vibration of any audio file and the fundamental frequencies.
What it means to be coherent in all the body pulses, and how it can help our state of health
AND THE BELL CURVE
How we can see Coherence in any vibratory element in nature and in the BioSonic program.
NOTES AND THE COLORS
How to progress the notes through the octaves till one reachesl the frequencies of light.
ACUPUNTURE MERIDIANS AND KINESIOLOGY
How to use the information of notes and color from this program with acupunture meridians and treatment with sound, tuning forks and with the light with prisms or quartz crystals activated by a penlight with filters.
SPIRALS AND THE COSMOS
How all in the universe progress through spirals.
What the principles of harmonics portray in nature and how we see them.
GOLDEN MEAN, PHI RATIO
Nature presents itself and grows in the proportion of Sacred Geometry used by our ancestors to construct cathedrals and temples.
SPIRALES AND HUMAN BODY
How we see the spirals in the body.
IRIS AND THE BRAIN DOMINANCE
Some knowledges about Iridiology and how we can decide for Brain dominance of a person.
To learn more on COHERENCE and Voice
Analysis contact the author of the BIOSONIC method and computer program
Marysol Gonzalez Sterling
return to first page on Voice Analysis & Coherence.
Sound Therapy with voice analysis and treatament of brain resonance with sound frequencies.
Sonic therapy with unwinding in the water accompanied by dolphins. Cranio- Sacral Osteopathy with tuning forks. Voice analysis of brain frequencies.
Energetic Osteopathy based on the movility of the cranium bones.
Sacro-Cranial therapy with sound and tuning forks.
Diagnosis and therapy of the missing color with prisms and solar light.
Holophonic Recording as Biosonic Cranial Therapy private session.