INDEX |

*SCIENCE-ART-HEALTH*

**BIOSONIC, voice analysis**
**SECOND MODULE FFT**
**See the following explanation
on the difference between FFT and the Chromatic**
**See the exactness of the
BioSonic Program and the demonstration that it picks up the Fundamental
Frequencies**
**Understand
how COHERENCE is shown in FFT**
**Understand
about the HARMONIC SIGNATURE in human voice, dolphin voice and Tuning Forks.**

**The difference between the FFT
analysis and the CHROMATIC TUNER analysis of the voice**
**It is like the seeing the forest
before seeing the trees.**
**By forest I mean the personalized notes and octaves,
because the weakest note in the main octave of the voice is clearly seen
in the BIOSONIC program and I will further explain why it is most of the
time hard to see in an FFT analysis.**

**In voice recognition technology it is known that the
range of a mans voice goes from 50 to 180 Hz, and the woman’s and
child’s voice from 100 to 320hz. approximately, and that is the general
tonality or pitch of the voice, and it is the vibration of the vocal chords,
from here all the harmonics come out and that is what the FFT picks up.**

**The chromatic analysis is the best way we can see the
weak notes in the main octave of the voice, or the pitch of the voice at
that moment, that is what Icall the forest, seeing the landscape and the
which trees compose the forest, to see where inside the forest there are
spaces with trees missing, so we know where and what kind of trees we need
to plant to complete the vocal coherence and achieve harmony. The
FFT shows higher in amplitude the 3rd and 5th harmonic, that is why it
does not coincide that much either with a 40% in an FFT program, sometimes
more than others, it depends if the fundamental frequency has been ample
enough to show in the FFT. Maybe that happens when the person has been
talking more in his body, because the fundamental frequency shown in the
chromatic analysis is the energy of the vocal chords and portrays the physical
body's energy.**

**As an example we will say a person has the highest
note in D in -1 octave and A note is the weakest of their vocal chords
in -1 octave as well, which is the main octave of their voice at that moment.
The harmonics of the highest note D are D and A in the midC octave. In
the FFT we will see note A very high too, which comes out from the harmonics
of the highest note being D, and then in the +1 octave the harmonics of
D in the -1 will be notes D, F and A, so it is hard to see the weakest
note not having the fundamental frequencies of the main octave of the voice
which is what the chromatic type analysis gives us and it is more apparent
the harmonics than the fundamental. in the FFT type analysis. In
the FFT we will see very high A in the average or in midC and will be hard
to know that the weakest note is A. Most sound practitioners have
dealt in the FFT with the highest notes, because that is the way to deal
with it in the FFT type of analysis and give the person the inverse of
the highs, that is an easy way to simplify something that is not shown
in FFT, and many times the highest note changes while the weakest note
remains most of the time the same, and this is hard to recognize this in
the FFT type analysis. Most of the times as the BIOSONIC shows the weakest
note is not radial or opposite from the highest, so by giving the inverse
of the highest notes we are getting close but not in the note we need to
deliver the person to obtain coherence and harmony. If the highest is radial
to the lowest we are in more coherence than if it is not, most of the times
it is the one next to it or it is nothing close to the inverse when the
incoherence is more evident.**

**One can see the harmonics happening in an FFT in real
time, which is what I concentrated in analyzing before deciding all of
this. In the real time FFT the harmonics will show more amplitude than
the fundamental frequency most of the times, because we talk reacting to
thoughts and emotions, moving the face and using the tongue in different
ways we do variations and distortions in the harmonics. We should be able
to distinguish with this what the chromatic BIOSONIC is showing us, the
physical energy of the main octave and the harmonics of the FFT are showing
the way we modulate those harmonics with the resonant box of the mouth,
tongue, teeth, and facial gestures, this is due to emotions and thoughts.
With this we can distinguish the octaves above the main physical octave
(shown in the BIOSONIC program), as emotional, mental and spiritual octave
realms, which is what is shown in the 2nd module of FFT for voice analysis.**

**The main octave we need to take it from the Chromatic
type analysis and take that information into the FFT. then we will know
too which fundamental frequencies are missing in the main octave and by
delivering those we balance and fill all the notes in the Chromatic main
octave, as well as the harmonics shown in the FFT.**

**Then getting into the trees is knowing from the FFT
which range of frequencies we need to find with the Nutritional database
to deliver to the person, looking at the harmonics (which is what we have
in the FFT) and looking at the wave shapes in the FFT program for Voice
analysis and then we will obtain a perfectly balanced and fully coherent
voice, because we can go exactly to where we need to look for frequencies,
as they were trees and also which kind of trees we need to plant in that
place. All frequencies will fill in everything through its harmonics, and
if it happens that there are still places with holes in the harmonics in
higher octaves according to the FFT, then we will need to think that something
is happening or missing in the emotional, mental and spiritual realms.
The distinguishing of these realms Lauren Gardfield and I started to look
at it, since the summer of 1998, she has a good working knowledge of it,
but she does not personalize these higher octaves because she does not
individualize them for every person and voice plot, she decides -1 for
women and -1-2 for men, i disagree not personalizing it, we need to see
the whole picture if we do not start with the chromatic type analysis.
so i am now concentrating in the fundamental frequencies that come from
the vocal chords and the chromatic tuner BIOSONIC and then i will take
that reading to the harmonics and the FFT like Sound Assistant. now it
is still complicated to use both programs, one can do it, but slowly i
will give all the instruments to see this in an FFT real time and analyze
the harmonic distortion that occurs from the fundamental frequencies we
now have. then we will see what imbalance comes from the physical, which
comes from the emotional, mental or spiritual. I still have much to go
and the programming seems to be much slower that I would like to.**

**The BIOSONIC program will relate to a nutritional database,
and will show the inverse frequency of all the frequencies spoken
, and to see the complete picture body-emotion-mind and spirit we
need the 2nd module of FFT. This will give us the possibility to
get into the trees, in a certain area of the voice plot and decide
which trees/frequencies to plant, where and why, to create a full coherent
forest with trees, from the voice, and boosting up the healing system of
the body.**

**To say a little more on harmonics lets say a fundamental
frequency of the vocal chords is 150 hz. D in -1 octave, the harmonics
are just fractals of 150 (150+150+150 etc....)as a ladder growing up octaves,
so 300 hz. is the first harmonic D in midC octave, then 450 hz. the next
which is note A in the midC octave, then 600 hz D in the +1 octave, then
750 hz. F in the +1 octave and then 900 hz. A note in the +1 octave, and
so on, to see how these come out of the 150 hz. D. And how much harmonic
distortion they have, or if they are exact in their fractality is what
I need to see, before I decide in which octave we should give the frequency
back to the person and why, (what tree and where). According to each higher
octave it will portray what we are expressing, emotions, thoughts or spiritual
goals. There is so much to see that I hope the tools I will create will
help us see all of this in a real simple way, To use both the chromatic
BIOSONIC and the 2nd module of FFT will make all of this real simple.**

**Now until we do not have both modules yet, if you have
an FFT program as the Sound Assistant from Dan Kunkle, you can still do
it in a simplify way. Just find the range of frequencies you want to treat
in the BIOSONIC and then look at these in the FFT and you will obtain better
results and more coherence in the voice, which shows that the natural healing
system of the person has kicked in to create health. How long, that is
the question, I am looking into that.**

**THE FUNDAMENTAL FREQUENCY, is
the first frequency that appears creating all the fractal harmonics and
in the human voice is the frequency that comes out of the vocal chords,
which we distinguish in the Chromatic analysis like the Biosonic program
and the old Korg tunners. It is in the range of Mid octave and -1 in womens
voice and -1 and -2 octave in mens voice, the harmonics are changes by
the resonant box of the mouth, teeth, toungue and gestures of the face,
and the FFT shows these harmonics,**
**I believe that by recognizing
the main octave of the voice of the person which are the fundamental frequencies
with the Chromatic analysis and we take this information of the frequency
range of the personalized fundamentals we can distinguish in the FFT the
octaves above as the harmonics are created, and these can be distinguished
and intepreted as the different octaves of the emotional, mental
and spiritual realms.**
**In a real time FFT program we
can see the harmonic cascades that the vowel sounds create, these are done
by the vibration of the vocal chords, the consonants are the silent sound,
hissing sounds and are heard by the modulation of the mouth face, that
produces all the harmonics that the FFT shows.**

**TWO HARMONIC CASCADE, FROM**
**TWO FUNDAMENTAL FREQUENCIES.**
**When we have two instruments,
as well as when we chant harmonics**
**we obtain two fundamental frequencies
that can give us a double**
**harmonic cascade. Other
research on Coherence contemplates this and**
**finds amazing relationships
to emotions and the separation between**
**these two cascades can be of
the Golden Mean proportion of**
**Sacred Geometry, as discovered
by Dan Winter, creator of the Double FFT**
**for an EKG interface called
Heartlink.**

**@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@**

**Not
transformed FFT in logarithmic mode**

**The pure CONSONANT SOUND is a hissing and blowing**
**of air that becomes audible because of the mouth cavity**
**and the vibration of the vowel sounds, these have
much**
**less amplitud than the vowels and many are eliminated**
**from the FFT averaging, but have many more variations**
**of frequencies than the vowel sounds.**

**To learn more on COHERENCE and
Voice Analysis contact the author of the BIOSONIC method and computer program
Marysol Gonzalez Sterling Address:
PLANET
ART, Calle de las Fuentes 8, 3 izda. Madrid 28013, SPAIN.telephone; (34)91
5425597, e-Mail: planet.art@retemail.esAddress:e-Mail:
BIOSONICA@aol.com**

**SACRED GEOMETRY
AND SPIRALS PATTERNS IN VOICE ANALYSIS, TO HELP YOU CHOOSE THE MOST EFFECTIVE
FREQUENCY TO HELP EACH INDIVIDUAL, TO BOOST THE NATURAL HEALING SYSTEM.**

**Look at this
graphic in animation and Dan Winter's
web pages about Coherence and sacred geometry of love.**

**NUTRITIONAL
DATABASE**
**The molecular weight is related to sound, hertz.**

**CALIBRATION**
**Why we need to personalize the notes to an individual birthdate.**

**CHANGES
IN THE VOICE**
**How to see and define the changes in the voice.**

**HARMONIC'S**
**What the principles of harmonics portray in nature and how we see
them.**

**GOLDEN MEAN, PHI RATIO**
**Nature presents itself and grows in the proportion of Sacred
Geometry used by our ancestors to construct cathedrals and temples.**

**THE OCTAVES IN A SPIRAL**
**The real nature of the octaves of sound is a spiral, and how we
go from sound slow frequencies to light fast frequencies is a spiral**

**ALL
ABOUT LIGHT,**
**All we need to know about the discovery of the universe through
LIGHT.**

**CHANGES
IN THE VOICE AND EXPERIMENTS WITH LIGHT,**
**How to decide the notes to use with Ocular Light treatment and see
changes in the VOICE, EEG, and EKG.**

**OTHER LINKS**

**
COHERENCE**

r**eturn to first page on Voice Analysis & Coherence.**

**BIOSONIC**,
**Sound Therapy with voice analysis and treatament of brain resonance
with sound frequencies.**

**BIOSONIC
CRANIAL WITH DOLPHINS**
**Sonic therapy with unwinding in the water accompanied by dolphins.
Cranio- Sacral Osteopathy with tuning forks. Voice analysis of brain frequencies.**

**SACRO-CRANIAL
THERAPY,**
**Energetic Osteopathy based on the movility of the cranium bones.**

**BIOSONIC
CRANEAL,**
**Sacro-Cranial therapy with sound and tuning forks.**

**PHOTONIC**

**Diagnosis and therapy of the missing color with prisms and solar light.**

**SONIC
TUNE UP,**

**Holophonic Recording as Biosonic Cranial Therapy private session.**

INDEX |