To understand the windows and how HOW INCOHERECES IN THE COLORGRAM COLOR BARS APPEARS AS A ZIG ZAG VALUE FOR THE NOTE, Coherence is shown as a continuos wazing and waning of the moon, a flow of frequencies up and a flow of frequencies down as a tide where the 6 lower notes and not so low and the 6 higher notes are not so high, Incoherence is shown as a bar graphic of up and down color bars belonging to the notes, some are higher some are lower, without continuity. Look at the BELL CURVE COHERENCE page.
BIOSONIC PROGRAM VOICE ANALYSIS
COHERENCE ANALYSIS, 3rdModule.
This example has the lowest male
voice I have encountered so far, all the way from D# is in the -2 octave,
in the 3 subjects I asked him to talk, Base, Illness and Helth. We
see in the last one about health how he becomes more emotional and gives
many hits in the octave above, creating many multiple octave incoherence.
He has problems of the lungs and the liver. In the Base and Illness talk
he had more cellular Multiple Octaves incoherencies. Cellular deterioration
and Emotional Multiple Octaves incoherencies are circled in blue.
If you do not understand yet the analysis done by the program with colors and marked numbers please go to the ANALYSIS explanation page, which will give you more detailed explanations of the 5 characteristics for analysing the voice, that will also give us the notes and number of hits that will show incoherencies or inconsistencies.
GIVING VALUE OF PERCENTAGES TO THE INCOHERENCIES OF THE CHROMATIC MODULE
1./ 80% OF MINIMUM
OR MAXIMUM NOTES within 6 yin or yang.
THE ACTION IS TO DIVIDE THE 12 NOTES INTO 6 + YIN and 6-YANG NOTES, THE 6 LOWER NUMBER OF HITS IN CONSECUTIVE NOTES AND THE OTHER 6 HIGER NUMBER OF HITS CONSECUTIVE NOTES. To find the six notes more congested in each octave, the analysis is taken from the numbers in the main octave shown in orange color, that belongs to the most hits for each note and is where the energy goes to the organs and muscle skin, the Physical aspect of the person. This is taken from the main orange Octave even if the marked notes numbers are the line at the bottom of the totals, the six notes Yin or stressed are marked in a darker blue and the six notes Yang are left in the lighter blue. The imbalance in these progressive number will show a large incoherence, if within the 6+ notes we encounter the weakest hits of a note, or in between the 6- notes we find the highest number of hits for a note.
THIS WILL BREAK THE WHOLE
PATTERN INDICATING A STRONG WEAKNESS IN THE ORGANS OR FUNCTIONS BELONGING
TO THE WEAK NOTE INSIDE THE HIGHER OR A VERY STRONG OVERLOAD OR IMBALANCE
IN THE ORGAN OR FUNCTIONS IN THE STRONGEST NOTE WITHIN THE WEAKER NOTES.
THE COLORGRAM WILL SHOW A BIG PEAK NOTE WITHIN THE LOWER NOTES OR ALMOST
NO NOTE WITHIN THE HIGHER NOTES. IT ALSO PLACES A PSYCHOLOGICAL EMPHASIS
BECAUSE IT WOULD CREATE A CONFUSSION TO DECIDE WHICH NOTES
TO CHOOSE AS THE 4 PSYCHOLOGICAL PATTERNSOF THE YIN YANG 6+6- NOTES
In this analysis we have circled with blue the 9 which is a 6 of B in the Main Orange Octave, circled in white, because this is lower in number thaN the 18 or 15 of F in the Main Octave,,, This is the most incoherent the lowest note is within the 6 higher more stressed notes . Then also 16 (or 14 in main octave) of C# is lower than 22 (or 20 in main octave) of D , this belongs to incoherence value number 7 The yellow circles are incoherences in the numbers of the spirals which belongs to incoherence value number 5...
Here we have an even more drastic example,,, it shows many circles because there are many types of incoherencies. The one circled in white, 16 in C# in the Main Octave has to be choosen as the 3 + notes of the Yin spiral and at the same time it is the lowest number note. This causes incoherencies in all the numbers and values, the 6+6- Yin Yang notes are all the number circled in lite blue, and of all the Yang spiral the 3- notes, circled in green, and of all the Yin spiral 3+ notes circled in dark blue.The only one that is not showing incoherence is the highest number 64 of D# everything else is showing incoherence. Eventhough the number of hits related to the average does not seem so imbalance, this is a typical example of a voice reacting temporarily to sound treatment, balancing the amount of hits for each note creates temporarily an imbalance of incoherencies in many of the other values. We should make decissions when the voice becomes stable again or maintains a certain irregular pattern.
In this example we have circled in blue the incoherence between notes D# with 93 and B with 95 hits (both taken from the Main Orange Octave), that are part of the 6- Yang notes, being higher in number than two notes within the 6+ notes, F and F# with 82 and 86. There are other notes circled because they are incoherence value number 5 of the spirals.
This example has many numerical hits incoherences. The most important has the large elipse in violet, and white circles D is lower in number than F#, being F# 27 hits chosen with the 3- notes and is higher than D 24 hits that is chosen within the 3+ notes, this is incoherence value 1 of 80% incoherence. With yellow circles we can see the 3+ Yin Spiral that 54 hits of D# has lower numbers than 65 hits of B. The dark blue circles are incoherences with the G 63 hits, and the number 1 incohernce occurs again with 48 and 43 hits of C, C#, being lower but between the 6+ notes. All of these incoherences happen at the same time, even if the notes are filled in number of hits quite evenly and close to the average of 46 for the Main Octave, these irregularities are expected in an unstable temporary increase of energy and well being. If this was more stable these incoherenceies will not happen, and the notes will still maintain an even number of hits, close to the average number. The lite blue are C# and D in the stressed 6+ notes are lower in hits than G, A and A# that are between the weaker 6- notes. The Green circles are also the same pattern for G and A are higher than D# and C, and the magenta circles say that G is higher than D#. These type of patterns in incoherencies are due to temporary doing more hits per note after a sound delivery of frequencies in treatment, we would need to see how it stays the next day or 3 or 4 hours after the treatment.
Here we can see that the lowest number in Note A is a 5 hits colored in a green circle bellow too in 9 hits for A, and it is even lower in the totals than the 5 hits of the main octave and 10 hits in total of F# which is the lower one in the 6-notes. From G to C are the 6+ highest notes. This reveals that the lowest number are equally as low number inside the 6 more abundant or stressed notes is a sign of much incoherence. It will show as a very small bar in the middle of tall color bars in the Presentation of Colorgram. In the other below anlysis we see the same persons voice with no incoherencies before the treatment, it has more imbalnce between the highs and lows, meanwhile it seems to have more incoherences when the numbers and average balances out for the first time. The first correction seems to be more even in numbers for all the notes, it takes a lot to balance out the enregy and amount of hits for each note and also have no incoherencies. Please take into account that the total of number of hits is completely different from one analysis to the other, the total in the below analysis is 743 hits and in the above analysis i s173 hit. In the top we see the incoherence that 9 hits is lower in the sum than 12 hits lower, and this is within the 6- weak notes, circled in green, this will only be valued as incoherence number 8 of 10%. The most incoherence here is that the lowest number 5 hits in A is really also within the 6+ highest numbers and these have to be taken in consecutiveness with the 3 maximum consecutive notes of the Yin Spiral, it is incoherence number 5 of 40% aswell as the incoherence number 1 of 80% for the lowest number to be within the highes 6 Yin notes.
THESE ARE DUE TO CHANGING THE
PITCH AND MIXING HIGH VOICE WITH LOWER VOICE, IT IS DUE TO AN EMOTIONAL
AND/OR CELLULAR INSTABILITY, THAT AFFECTS THE ORGAN OR ORGANIC FUNCTION
OF THAT NOTE. IT IS MORE IMPORTANT IF IT SHOWS IN THE OCTAVE BELLOW
THE MAIN OCTAVE, CONSIDERING IT CELLULAR MULTIPLE OCTAVE. THESE HAVE
TO SHOW IN SEVERAL ANALYSIS IF NOT WE WOULD NOT TAKE IT INTO ACCOUNT IN
THE INTERPRETATION OR THERAPY VALUE
We have circled in lite blue 2 hits in D# in two octaves, which makes difficult the decission of where is the Orange Main Octave, unless we continue reading the next note E where it continues in +1. These was a very important incoherence that we had to teach the program how not to get confussed in its analysis. The other white circles are incoherences value number 5 of 40% for spirals the white circles 32 hits in A# is lower than 41 in B and 43 in C# for the 3+ notes of the Yin spiral, and the yellow circles 10 hits of G is lower than 16 hits of D for the 3- notes of the Yang spiral.
In this example we have a rare situation where this octave incoherence
occurs in two analysis taken one after the other, within the same half
and hour. So it is curiouss that this did seem to portray an emotional
ambivalence. In the top is with the 5 and bellow is with 13 both
in the F# note. These analysis where done within the same hour,
and the same octave error happened in the same F# note, even if the Main
Octave is different in both. The analysis below has a lower and more
depressed voice, all the way from G# it is in the -2 Octave. It will make
us believe that these situations are not as casual, and that they might
have specific interpretations, which we are not yet ready to interprete,
we are only pointing out, marking them and seeing how and when they appear.
In this case it was obviously an emotional dissapointment that gave rise
to this situation.
There is also in the analysis below a Multiple Octave incoherence or value number 3 of 60% in note A#, where 15 hits above is higher that 12 of the Main octave..
Here we have 4 hits in D# in the 6- Yang notes and 2 hits in A in the 6+ Yin notes circled in lite blue, this is taken from the Main Octave and in these two notes G# and A there is no hits at all. These notes with no hits or frequencies would create a confussion to decide the main octave and that there are hits in the octave bellow, belonging to the cellular octave it is very important. It shows such an imbalance in notes that the largest hit is 88 hits for B and there is several notes with no hits at all in the Main Octave circled in white and dark blue and here it even shows more hits in the Cellular octave bellow, creating a Multiple Octave incoherence value number 3 of 60% too.
In this one we also have more an Emotional Multiple Octave valued 60% incoherence, but due that it happens with the 3 weakest notes it is important also as an Octave incoherence valued at a 70%. We could not decide it the Main octave is in the Mid C O octave with those 3 notes of F, G, G# because a simple incoherence of Multiple octave would be if those numbers in the octave above are more than a 50% from the number of hits in the Main Octave, in this case it is a Main Octave incoherence valued more important because in the Emotional octave above the number is even higher in number of hits than in the Main Octave.
IT COULD BE INTERPRETED AS ORGAN FUNCTIONS THAT FLUCTUATE
IN ENERGY LEVELS, BEING EMOTIONAL ABOVE OR CELLULAR BELOW, THERE ARE IN
A REACTION MOMENT OR IN THE PROCESS OF CHANGE FOR BETTER OR WORSE.
ALL MULTIPLE OCTAVES MIGHT NOT SHOW IN OTHER VOICE RECORDINGS, WE NEED
TO TAKE THE MULTIPLE OCTAVES AS WELL AS THE INCOHERENCIES OF MULTIPLE OCTAVES
INTO ACCOUNT IN AN ANALYSIS IF IT SHOWS SOMEWHAT CONSISTENTLY IN THE VOICE
OR MORE THAN 2 ANALYSIS.
This is a clear example of Multiple Octave incoherence circled in yellow, because 18 hits in D# in the octave above is larger than 12 hits in the Main Octave of D#, and another in C, because 12 hits is larger than 10 hits in the Main octave. This example also shows many other normal Multiple Octaves that do not have incoherencies. The Emotional Multiple Octaves could be transitory and will only appear with the theme that is talked, and a few minutes later will not appear.
This example has many Multiple Octaves marked in the letters of the notes above and G# is incoherent, because 4 is larger than 3 in the Main Octave, circled in yellow. The other lite blue circles are incoherence number 7 valued in 20% of spirals. The violet circles indicate the notes of the 3 spirals groupings.
This example has also the Main octave incoherence valued as number 2 in 70%, and it can also be valued as a Multiple Octave incoherence with lite blue circles on 15 hits for D note. The one that is only a Multiple Octave incoherence valued at 60% it is in note F with 29 hits, that is larger in number than 21 hits bellow, as they separate from the Main octave numbers should be lower, and then they are only marked as Multiple Octave as is shown here in so many other notes like C, C#,D,D#, E, F# and A#.
These two analysis of the same person has many Multiple octaves, and we see that F and F# are Emotional Multiple octves in both, circled in white, so we would take it into account in the interpretation as those organs been affected at this moment by emotions. The incoherencies shown above in higher numbers in all the Multiple Octave notes, D#, E, F, F# circled in yellow talk of a more unstable temporary reaction, and in the analysis bellow the incoherence is in a Cellular Multiple octave in C#, because 8 hits is the same as in the Main Octave but 9 is even larger, circled in yellow. Lite blue circles are just pointing at the 3 minimum notes that are the same for both analysis showing more stability in that the lower notes are the same for both analysis. It is more important the emotional Multiple of F and F# and it shows as important in both analysis.
IT WOULD DEMONSTRATE A SIMILAR WEAK OR STRESSED ENERGY IN BOTH NOTES, BUT MAYBE JUST A FEW MORE HITS WOULD CHANGE THIS, THAT IS THE REASON THIS INCOHERENCE IS NOT TAKEN AS MORE IMPORTANT. IT WOULD BE IMPORTANT IF IT CONSTANTLY APPEARS, IF NOT IT MIGHT BE A TEMPORARY UNCERTAINTY.
Here this principle it is shown in different ways, the same example was used in the incoherence number 1 of 80%, because the weakest note is within the 6 most stress notes, the 5 in A, circled in lite blue. The reason this is an incoherence valued at 80% is because the sum total will choose A which is in between the 6+ notes. For this value we also have this within the 3 most stressed notes we cannot decide which is the maximum note with 13 hits between C, G or G# circled in lite blue. The total sum defines that the most stressed note is G or G#, being the same the Main Octave as the total sum, but we cannot decide between these two G or G#. The other yellow circles are incoherences in spirals, which we are presenting in the next point, numbers 5 hits of A is less than 9 and 8 hits of A# and B, and 13 in C circled in white, and even 7, 8, 8, and 6 hits of C#, D, D#, E and F because it is a Spiral incoherence as well as a Yin Yang incoherence valued at 80% incoherence. Menawhile 8 hits of E is less than 7 of C#, this is a pure spiral incoherence, because both notes are in the 6- notes, circled in greeen, and is the same number as 8 in D, eventhough the sum total of this one would define them as larger that the ones chosen as 3- notes E, F, F#. . Circled in black C# has a Multiple octave incoherence, that is valued with 60% incoherence.
With this example we have a few weak notes that are hard to decide from the Main octave, there is no hits at all in notes F and G, of course the totals will clarify this and choose F with only 1 point to the 4 of G, circled in yellow. The lite blue circles denote the Multiple octaves incoherence that is more important than this as incoherence number 3 valued in a 60%. The green circles point out to the same numbers of the weakest 3 notes, you can see that the weakest number of hits is decided from the total sum as F.
In this other example circled in lite yellow G, G# and A have the exact same number 11 and it is hard to decide which is the lowest note, from the total written below we decide that it is G# with only 15 in total for that note. In lite blue we have a spiral incoherence number 7 valued as 20%, because within the 3+ notes we had to choose D# with 40 hits and this is smaller in hits to 44 in E.
THIS HELPS US TO SEE WHICH ORGAN AND ORGAN FUNCTIONS ARE FURTHER AWAY FROM BEING BALANCED, BECAUSE THEY ARE FURTHER APART FROM THE AVERAGE NUMBER FOR THE MAIN OCTAVE AND WHICH ORGANS, ORGAN FUNCTIONS AND MERIDIANS SYSTEMS ARE BALANCED, DUE THAT THEY ARE CLOSER IN NUMBER OF HITS TO THE AVERAGE NUMBER.
Here the maximum more stressed notes C#, D and D# are 118, 117 and 196 hits as the highest, and the lower notes have 4, 3 and 5 hits in G,G# and A, marked with a purple circle, they are both very separate from the 52 average, which is calculated as the mean average from the total amount of hits, here 662 divided by the 12 notes of the Main Orange Octave, giving us 52 hits for note as the perfect balance or equal amount of hits for each note to have for a more perfect balance. F with 35 hits is the closest to the Average. The Yellow circles in G# are 4 hits above is higher than 3 hits, and is a Multiple Octave incoherence valued at 60% and the lite blue circles are Spirals incoherence because 4 hits in B is lower than 5 hits in A that is part of the 3 lower notes of the Yang Spiral.
In this other example G, G# and A have the exact same number 11 and it is hard to decide which is the lowest, unless we look at the sum total, which tells us is G# the lower number 15 hits in total. In general the imbalance between the stressed notes and weak notes is closer to the Average of 27. In lite blue we have a spiral incoherence between 40 hits of D# is lower than 44 hits of E, meanwhile D# has to be part of the 3+ notes of the Yin Spiral.
BECAUSE IT SHOWS THE ALIGNMENT BETWEEN THE SPIRALS, IT ALSO SHOWS HOW OUR ENERGY IS BEING ALIGNED TO MORE OR LESS HARMONY. GENERALLY WHEN WE GAIN HITS IN THE WEAK NOTES, THE ALIGNMENT GOES OFF AND BECOMES MORE INCOHERENT, THIS WILL DENOTE A MOMENT OF TEMPORARY CHANGE. MEANWHILE, EVERY ANALYSIS WE DO TAKE INTO ACCOUNT HOW FAR OR CLOSE WE ARE TO OBTAINING HARMONY AND COHERENCE. AGAIN A CERTAIN RELATIONSHIP BETWEEN SPIRAL IS TAKEN INTO ACCOUNT WHEN WE SEE IT CONSTANTLY APPEARING IN SEVERAL RECORDINGS AND ANALYSIS.
The Inclined spiral is the most common or normal type of incoherence between spirals the middle of the 3 notes is one note away from the direct radial, or more coherent spiral.
we can see with two analysis from the same person above a Disperssed Plus
spiral very incoherent and in below a Radial spiral relationship,
that in this case is also more coherent and even in the number of hits
for each note, the lows and highs are very close to the Average of 55 in
the analysis bellow after receiving treatment for a month. The notes
of the spiral are circled in darker blue, in lite blue we have incoherence
number 6 of 6 YIN and 6 YANG. Circled in yellow we have incoherence
number 7 of the spirals valued in 20%. This example also shows
how we even and fill up all the notes when a few notes of the Main octave
rise to a higher octave, to show this the analysis below is all the
way to F in Mid C 0 octave.
THIS SHOWS AN INSTABILITY IN THE SPIRALS DEFINITION, MEANING THAT IT COULD MOVE TOWARDS WHERE THE INCOHERENCE APPEARS AND THE SPIRALS OF ORGAN FUNCTIONS COULD FLUCTUATE. THE DECISSION OF TREATMENT IS UNSTABLE BECAUSE. IN REALITY IT GIVES US MORE UNCERTAINTY IF THE ANALYSIS COULD CHANGE, BECAUSE THE PERSON IS ALSO CHANGING AT THAT MOMENT. IT MEANS THAT THE SPIRALS ARE NOT DEFINED PROPERLY IN MANY OF THE CASES, OR THAT THE PERSON IS AN UNSTABLE TEMPORARY SITUATION.
In this example we have circled in lite yellow the 26 hits of D and the 29 of G# that are lower than the 30 in F that is part of the 3 conscutive weakest notes of the Yang spiral. The 29 in G# is valued more, because it is part of the 6+ stressed notes, and it is a mixture with incoherence number 1 valued 80%. Then circled in yellow we have that 44 hits of C# is higher than 37 of A# that becomes part of the 3+ notes of the Yin spiral. The blue circle belongs to incoherence number 7 of the 6+6- YIN YANG notes, that has less value and will be explained later.
This new example we have circled in lite blue 44 hits of F#, 50 of F and 55 of C because these are lower in number than 57 and 55 of D and D# that are part of the 3- notes of the Yang spiral. The yellow circles are also incoherence number 7 of the 6+6- YIN YANG notes, that has less value and will be explained later.
Again we have circled in lite blue 93 hits of D#, 95 of B and 122 of G being higher numbers that 82 and 86 hits of F and F#, that are part of the 3+ consecutive notes belonging to the YIN spiral. Earlier this same example was mentioned with the incoherence number 1 valued 80%, between the higher number of hits of notes D# and B , 93 and 95 hits being higher and the lower 82 and 86 hits of F and F#, in between the 6+ notes.
IT MIGHT BELONG MORE TO AN UNDECESIVENESS, CONFUSSION OR EMOTIONAL IMBALANCE OR DISCONTINUITY IN PSYCHOLOGICAL SYNTHESIS, BECAUSE WE INTERPRET THE 6-6+ AS A PSYCHOLOGICAL FACTOR. IT IS A RARE INCOHERENCE, THAT IS WHY IT IS VALUED WITH MORE PERCENTAGE, WE NEED TO OBSERVE IT MORE TO DECIDE WHICH COULD BE THE REASON FOR THIS AND ATTEMPT TO INTERPRET IT.
In these two samples of the same person we can see above an analysis without incoherences in the 6+6- YIN YANG notes, the blue circles are Spirals incoherencies and the white circle is a Multiple Octave incoherence. In the below analysis we have in yellow the 7 hits of F# with 17 total, that is lower than 8 of D#. This reading is always taken from the Main Octave, even if it is written with the italic bold number in the darker blue bozcells in the total below of the Chromatic grid, that is the reason the bold, italic, underlined numbers are marked in the total, and at times like this one it does not coincide, because 17 becomes a larger number than 8, so it seems to have no incoherence. This one is not marked in the Main octave, because many others are marked in the Main Orange Octave. THe blue circle is a Spiral incoherence because 3 hits of E is less than 7 of C# that is one of the 3- notes.
other example has many incoherencies of the 6+6- YIN YANG notes, as well
as many other types of numerical hits incoherences, at the same time that
the number of hits per note is most equal and coherent, that is the reason
this happens when the amount of hits for each note becomes coherent.
This will be the least valued at 10% coherence, which is somehting
that happens very often
The 6 YIN 6 YANG notes are marked in darker blue in the sum totals and even if it is marked in the sum total numbers for each note the decission is taken from the Main Octave in orange. The lite blue are C# and D in the stressed 6+ Yin notes are lower in number of hits than G, A and A# that are between the weaker 6- Yang notes. The Green circles are also the same pattern for G and A are higher than D# and C, and the magenta circles say that G with 74 hits is higher than D# with 67 hits, being part of the 6+ Yin Notes. With white circles we have a more valued incoherence, also the 3+ Yin Spiral has one lower number with 24 hits for D# than the G with 27 hits, which forms part of the 3- Yang spiral notes. In this very coherent example we have many incoherencies or inconsistencies , this is a number 1 incoherence valued with 80%. Also with 54 hits of D# is lower than 65 of B, with yellow circles being a number 7 spirals incoherence valued 20%. The dark blue circles are incoherences or G#, A and A# that have lower number hits than G with 63 hits, and the number 1 incohernce occurs again with 48 and 43 hits of C, C#, being lower between the 6+ notes than 63 hits of G that is also the 3- Yang spiral note, between the 6- Yang notes. All of these incoherences happen at the same time that we fill in the notes quite evenly and close to the mean average of 46 for the Main Octave, that we can see in the Aver.46 in orange to the right of the Chromatic grid. All these irregularities are expected in an unstable temporary increase of energy and well being. If this was more stable these incoherenceies will not happen, and maybe the notes will still maintain an even number of hits, close to the average number. This seems to be more difficult to obtain, even number of hits for note as coherence 40% gain and none of the above other types of incoherencies not appearing
THE FOLLOWING ARE EXAMPLES OF COHERENCE, IN THE CHROMATIC GRID AND IN THE COLORGRAM COLOR-NOTES BARS PRESENTATION.
This is perfect example of coherence, not only the number of hits is very balanced close to the Average 53, but it shows no incoherencies in numbers. This means that the persons wellbeing is more stable and less temporary, the analysis might change according to some days or more or less energy but for this period of time, not known how long reaching a perfect balance ocurrs, it still demonstrates that the changes have entered a more stable period. Maybe it still only happens at certain times during the day, or when the level of energy reaches its optimum at a certain time of day. To become like that it means that it was already close to this in other times of the day. We have observed that these perfect patterns occurs at persons who are quite healthy at the time and take a voice analysis in the early or mid afternoon, when their level of energy is at its optimum.
THIS NEXT REAL SAMPLES OF THE SAME PERSON AS ABOVE SHOWS HOW A PERSON BECOMES COHERENT, WHEN THE VOICE BECOME CLEAR, CRYSTALLINE IT RAISES A FEW NOTES TO A HIGHER OCTAVE AND THEN THE 3 +EXCESS NOTES BECOME THE 3 - WEAK NOTES AND VICEVERSA.
The above analysis is quite good, but the bellow one is even more balanced in numbers of hits being so close to the average, all organ functions are balanced, but it shows a lot more incoherencies, because it is a temporary response to therapy. We have achieved this quite often when a person is responding correctly to a vibrational sound therapy, when it fills in more hits for each note, at first if seems to disorganize the whole pattern in other ways, and many incoherencies appear in the number of hits. This is a temporaty coherence,,, which is different to the one that could appear periodically or more constant as it is shown in the analysis above.
THIS SAMPLE OF ANOTHER PERSON SHOWS THE SAME GAINING COHERENCE AND BECOMING AN ALMOST PERFECT RISE AND FALL BELL CURVE IN THE COLORGRAM PRESENTATION, IN RELATIONSHIP OF NOTES TO COLOR. To understand the relationship of color to note, look at the pages on Photonic's.
INCOHERENCIES IN THE FFT
Will be understood when we have the 2nd FFT module
1./ OF HARMONIC CASCADE
BETWEEN MULTIPLES OF THE FUNDAMENTAL FREQUENCIES.
2./ OF GEOMETRIC PATTERNS SHOWN IN A SPIRAL WITH MORE AMPLITUDE AND LESS AMPLITUDE FREQUENCIES>
3./ OF WAVE FORMS OR REPEATED PATTERNS IN THE WAVE SHAPE AS THEY WERE FRACTALS.- find the repetions in shape in the waveforms through out the whole FFT of voice print.
4/ TO ORGANIZE PERCENTAGES.-to value the percentages of the transitions for obtaining perfect coherence in each voice.
For 6 + 6-Yin-Yang, spirals 3 + 1-and 3-1 + and the other geometries, helping to define the notes and frequencies that they
should be given in a sound treatment.
COURSES OF BIOSONIC, VOICE ANALYSIS AND SOUND THERAPY. In Spain, once a week for two months, or intensive of five days. In USA to be arranged with Marysol, possible during the summer. At special request once the program is purchased there can be an arrangement to establish classes via email and internet chat. Ask for prices writing via email.
CHECK THE SPIRALS INTERPRETATION
Understand the relationship between THE NOTES AND THE COLORS
The molecular weight is related to sound, hertz.
Why we need to personalize the notes to an individual birthdate.
IN THE VOICE
How to see and define the changes in the voice.
All we need to know about the discovery of the universe through LIGHT.
IN THE VOICE AND EXPERIMENTS WITH LIGHT,
How to decide the notes to use with Ocular Light treatment and see changes in the VOICE, EEG, and EKG.
THE VIBRATIONAL EXPLANATION OF THE UNIVERSE
The dynamics of light and darkness describe the vibrational world of color and sound.
COLOR, THE 5 ELEMENTS AND THE
The Chromodynamics of the I-Ching is used to describe the 5 elements, and the dynamics of vibration.
AND THE USE OF PSYCHOLOGY WITH THE VOICE
The dynamics of light and darkness describe the vibrational world of color and sound.
HOW EXACT IS THE BIOSONIC
Demonstrates how it picks up exactly the vibration of any audio file and the fundamental frequencies.
What it means to be coherent in all the body pulses, and how it can help our state of health
AND THE BELL CURVE
How we can see Coherence in any vibratory element in nature and in the BioSonic program.
To learn more on COHERENCE and
Voice Analysis contact the author of the BIOSONIC method and computer program
Marysol Gonzalez Sterling
return to first page on Voice Analysis & Coherence.
Sound Therapy with voice analysis and treatament of brain resonance with sound frequencies.
CRANIAL WITH DOLPHINS
Sonic therapy with unwinding in the water accompanied by dolphins. Cranio- Sacral Osteopathy with tuning forks. Voice analysis of brain frequencies.
Energetic Osteopathy based on the movility of the cranium bones.
Sacro-Cranial therapy with sound and tuning forks.
Diagnosis and therapy of the missing color with prisms and solar light.
Holophonic Recording as Biosonic Cranial Therapy private session.
Calle de la
Fuentes 8, 3 izda.
Madrid 28013, SPAIN.
telefono; (34)91 5425597,
All year e-Mail: firstname.lastname@example.org