ANALYSIS OF THE VOICE
We will explain in detail and with graphics these 5 characteristics in 8 sections, following this short summary:
1./ ONE ENTIRE OCTAVE FROM C TO B, AND 3 MAIN OCTAVES OF FUNDAMENTAL FREQUENCIES.
2./ YIN-YANG PATTERN OF 6 WEAK OR MISSING NOTES AND 6 HIGH OR STRESSED NOTES.
3./ NOTE MINUS AND NOTE PLUS.
4./ MULTIPLE OCTAVES, EMOTIONAL O CELLULAR.
5./ YIN YANG SPIRALS 3+1-/3-1+.
6./ YIN SPIRAL RELATES TO YANG SPIRAL AS RADIAL, INCLINED OR DISPERESSED.
7./ TRANSITIONS AND COLORGRAM.
8./ INCOHERENCE PATTERNS
We will see these now with practical examples of real
voice prints of the BioSonic program. At times you will see
that the graphic numbers have been touched or placed afterwards, this does
not mean that they are not from real voices. All these examples have come
from real persons voices, they have been touched because they had the old
format of color octaves and also many of these gave incoherence with which
we found out the errors of analysis of the program. This has helped us
to tell the program how to analysis and surpass the inconsistencies and
incoherence that we can find in a normal spoken voice.
ALL THE EXAMPLES COME FROM PERSONS ANALYZED WITH THE BIOSONIC PROGRAM DURING 1999 and 2000.
The analysis consists of 5 characteristics that the voice shows us and we will see in 8 sections;
is the example of ANDREA and we will follow the analysis doing colored
circles to indicate the different patterns carachteristics, as presented
in this graphic here with marked places where incoherencies and inconsistencies
are found,,, the top example has many irregularities and the below
sample is after treatment and has more harmonic patterns,,, lets analyse
(All the examples used in this manual are real voice recordings).
Read more about the analysis and the FIVE
DEFINITIONS OF THE VOICE
This pages explain in other ways how these definitions have been discovered in the history of Voice Analysis.
1./ THE VOICE COMPLETES AN ENTIRE OCTAVE FROM C TO B. AND THERE ARE 3 MAIN OCTAVES OF FUNDAMENTAL FREQUENCIES. ONLY ONE SHOWS FREQUENCIES IN ALL 12 NOTES.
The numbers represent how many times a frequency in this specific range has been spoken. Most of the hits for each note are specifically concentrated in an octave and form a perfect spiral, even in a chromatic grid presentation it starts in one octave and continues falling to the one below,, once it has come down it has to stay till B in that octave so in a spiral it will form a continuous spiral. As you can see in the following spiral graphic. This is the voice of Andrea a 5 year old child, that is the reason the Main Orange Octave is in +1 octave and in the note of G it continuous in the MidC octave.
is the first recognition of the tone of the voice, if it belongs to a child
it will be in +1 and Mic C octave, if it is of a woman's voice it will
be in MidC and continue in -1 Octave, and if it belongs to a Man it will
start in -1 and continue in -2 Octave. To read the interpretation
of these 3 Main octaves of fundamental frequencies go to COHERENCE
octaves pages, this is also based in an earlier research and published
work of mine general vibrational patterns of
the I-Ching. The 3 Main Octaves of the Fundamental Frequencies coming
from the vocal chords of the voice will relate to the Trigram of the Earth
in the I-Ching dynamics.
If you want to read more how the Main Octave idea has been used go to the Main Octave page of this manual.
This is another example where the lack of frequencies in a number of musical notes creates many inconsistencies and incoherent disharmony, and makes hard to locate the main octave, eventhough once it come down in E it stays in the -1 octave till B, to follow the pattern we established earlier. It is very rare that such disharmony is present where we have notes with no points in the Main Octave and other notes with so many frequencies as many as 155 hits in one note. This other child is cerebral palsy and talks in a monotone, a non musical voice that is obvious to our ears.
2./ FROM THE 12 MUSICAL NOTES THEY DIVIDE MORE OR LESS EQUALLY IN A YIN-YANG PATTERN OF 6 WEAK OR MISSING NOTES AND 6 HIGH OR STRESSED NOTES.
we have defined the Main Octave we decide the YIN YANG pattern where the
12 notes are always divided into two parts, 6 weak or missing notes and
the other 6 abundant, stressed or in excess notes. This is
taken from the Main Orange octave, even if it is marked in the Chromatic
grid as 5 darker cellboxes in the total number for each note. When inconsistencies
are marked they belong to numbers in the orange Main Octave, which is the
one being analysed. This is the first parameter of the Waxing Waning
Curve, because it should gradually rise and fall, the same as a tide.
This pattern is interpreted psychologically as the first 6 notes in abundance denotes strength to start in Action, the 6 middle notes denotes obsession to be completely involved in the Deed, the 6 last notes express the evaluation and thoughts to realize its purpose or value to finish the Situation, and the 3 last and 3 first notes the Action generally is thoughtout to completion or perceived to be have a Purpose. Read these interpretations in the page with these four patterns and the combinations.
3./ THERE IS A MUSICAL NOTE THAT IS WEAK OR IS MISSING AND ANOTHER THAT IS TOO STRESSED OR TOO ABUNDANT.
We always see that there is a most weak or missing note and another very abundant and in excess, we see if they relate as being directly radial or opposing each other in a circle or being 6 notes apart, or not. Also the more separation from the average of all the notes here circled in grey will tell us the imbalanc of a certain area or organic function needing all the energy and attention and debilitating or stagnating energy being in the weaker note. The weakest note is marked above in the letter of the note in green and the excess note is marked in magenta, the two colors that fuse heaven and earth according to the Cromodynamics of the I-Ching. We need to balance these differences. Read the interpretation texts for the stressed or weak notes.
4./ A SPECIFIC NOTE CAN HAVE FREQUENCIES IN SOME OTHER HIGHER OR LOWER OCTAVES SHOWING THE PRINCIPLE OF HARMONICS IF DIRECTLY RELATED TO ONE ANOTHER.
times there are some notes that have many frequencies in higher or lower
octvaves, called Multiple Octaves. The analysis of this program will color
in the color of the octave where the multiple hits have fallen the musical
note letter on the top part of the Chromatic Grid. It will take into account
a number above or bellow the Main octave that is 50% of the number
of hits in the Main Orange Octave. In the area where the voice changes
octave and fall down ot the lower octave, because this acumulates more
notes it will be taken into account in the interpretations if it is a 70%
of the number of hits in the Main Octave.
If it is a Multiple Octave above the Main Octave it talks about an organ function that is affected by the emotions.
If it is a Multiple Octave below the Main OCtave it talks of Cellular Deterioration within the 6- notes and of Cellular Toxicity within the 6+ notes.
example has Multiple Octaves in the nores of G as Cellular deterioration
a 2 under a 4 in the Main Octave, in G# as an emotional Multiple Octave
in the Astral realm a 4 above a 3 (incoherence), Also another Emotional
Multiple Octave in A# a 3 above a 5 of the Main Octave.
This can be changed easily, so it will not be taken into account unless it is seen in two or more analysis of the same person or at the same time of the analysis. Take this into account when printing the report of interpretation texts and when giving it to the patient-participant tell them if it is or not important when comparing it to other analysis.
5./ FROM THE 6 WEAKEST NOTES THERE ARE 3 CONSECUTIVE NOTES THAT ARE MOST MISSING AND FROM THE 6 MORE STRESSED NOTES THERE ARE 3 CONSECUTIVE NOTES THAT ARE THE MOST USED FREQUENCIES AND REPEATED FREQUENCIES.
In all the analysis there is a pattern of rising and falling, as a waxing
and waning Moon. and this would give 3 consecutive numbers that are the
3 higher hits within the 6+ notes, and 3 consecutive lower number of hits
within the 6- notes. This gives us other patterns to study and we can group
these patterns of 4 notes, combining the 3 consecutive notes with
the one note opposing the center one of the 3, as being the one most affected
by those 3 notes. We will be able to decipher with this relationship
of 4 notes, called Yin Spiral for the 3+1- and Yang spiral for the 3-1+
notes, the stressed or weak principle in a more or less imbalance of the
whole coherent pattern of the Moon Tide or Bell Curve. They are called
spirals because they connect one side of the pattern of Yin to the other
side of the pattern of Yang. Three notes are responsible for one note and
viceversa, this pattern forms a communication of balance and/or imbalance.
The notes have to be chosen from the Main Orange Octave and if there is confussion as to which one to take, because there are incoherences and non consecutive numbers. then will be taken into account the total of either note in question.
In the topright side of the Chromatic Grid the Yin Spiral is written in Magenta and the Yang Spiral in Green. These spirals are G#AA# are the excess notes that influence the weakness of D#, and DD#E are the weakest that are influencing the excess of A.
To read the interpretation of the YIN YANG spirals you will receive it in the TEXT buttom interpretation texts, but you can also read all in this manual.
6/ THE RELATIONSHIP OF THESE TWO SETS OF 3 WEAK /3
STRESSED NOTES WILL REVEAL THE HARMONY OF THE WHOLE FULL MAIN OCTAVE, OF
In the topright side of the Chromatic Grid the Yin Spiral is written in Magenta and the Yang Spiral in Green. And bellow it there is a word describing the relationship between this pattern of 4 notes together that we call Spirals. These spirals are G#AA# are the excess notes that influence the weakness of D#, and DD#E are the weakest that are influencing the excess of A, because A is directly opposing D# when we place the 12 notes in a circle it shows a Radial pattern as it is written here bellow the letters belonging to the notes of the Spirals.
The most coherent pattern is the radial pattern because the rise and fall of the coherence Tide or Bell Curve is most perfect, the Inclined pattern is the most normal incoherence or imbalance, when it is a Disperssed pattern it influences and compromises more notes, and it portrays a more chronicle condition, we can have various patterns more of disharmony in Disperssed Plus, Disperssed+.
We will show this in a spiral circle of Octaves in the next FFT module so it is clearly seen, now we mark it with Green number for the weakest notes that influence one on the other side and this one is shown in green color below in the note letter of the Chromatic grid. Then the 3 stressed notes are written in dark magenta and the one being influence by these 3 on the other side is shown in a magenta color below in the letter of the notes of the Chromatic grid. This magenta note is very important, maybe it should be taken into account as more important than the really weakest note in number.
The relationship of these two Yin Yang SPiral is also
taken into account in the Interpretation texts, that you view and print
when clicking in the Text button.
7./ THE TRANSITIONS AND WAXING AND WANING OF THE BELL CURVE OF FUNDAMENTAL FREQUENCIES WILL VALUE THE COHERENCE OF THE VOICE AND THE EMOTIONAL WELL BEING AND HAPPINESS OF THE PERSON.
To see the whole pattern we can choose from the above
Menu, Presentation, Colorgram and we wee the notes in color bars. The relationship
of color is in the Pigment absoption relationship and it already tell you
the least absorbed color by the organism.
The most coherent pattern is a Bell Curve or a Moon TIde, that progressively goes up and progressiverly comes down. all other patterns or up and down show imbalance and incoherence. We can choose a color of the weakest notes to do color therapy with this information. In the Version Pro manual you will have the Prism Ocular Treatment Photonics, as well as color Acupunture meridians and kinesiology treatments.
You can read how this color relationship to notes was constructed.
8./ THE INCOHERENCE OF THESE TRANSITIONS WILL HELP US EVALUATE DECISIONS ON WHICH AREA OF THE WHOLE PATTERN WE NEED TO DELIVER FREQUENCIES.
The incoherences or inconsistencies show the disharmony
patterns of the voice, these are marked with an italic bold and underlined
number, and will be studied further in the 3rd
module of the BioSonic program, you can read about the way meanings
of all these non coherence signs. Here a few of these signs are shown
with colored circles. the incoherence of the YIN YANG 6+6- is taken from
the Main Orange Octave but it is shown in the numbers bellow of the
sum totals for each note, here shown in green circle, 9 or 5 of A is smaller
than 12 or 10 of D#, and it is between the 6+, so there is an imbalance
in that axis, A D#, Endocrine, Gall Bladder. Also 5 of A has to be
part of the highest 3 notes of the YIN spiral and it is lowest than 8 of
E note and 5 of F#, circled in white. Then 8 of E being part of the 3 lower
notes of the YANG spiral is higher than 7 in C#, in a yellow circle.
Another incoherence is the blue circle not been able to decide which one of the two 13 numbers of the notes G and G# is the most stressed note, then there is another 13 out of the spiral YIN. This example shows many types of incoherencies that will attempt to interprete in the 3rd module of the BioSonic program,, and have started doing it in the page about that module.
This is another example where we can see in the top analysis is more harmonic and less incoherent. The multiple emotional octaves in D and D# should be taken into account because they appear in both analysis.
Here we see that in the YIN YANG 6+6- 14, 32 of G# is lower than 16, 19 of E,, it is taken into account from the Main Orange octave so 16 in the 6- is larger in number that 14 in the 6+, circled in yellow. Then 13 and 16 of D and E have to be part of the Yang 3- spiral because they are lowest when next to the 9 in D#, and these two are larger in number than 12 and 13 of G and F#, circled in lite blue. THe relationship of YIN YANG spiral is the same Inclined and the notes are still the same, but the general pattern and coherence of the top analysis is better, even if the difference in the amount of hits per note is more imbalance. This is something that generally happens, the below analysis is after treatment, the high and low notes have balanced but the general pattern shows more incoherencies, because the change has not yet established in the organism functions with sufficient strength or time.
In this other example above analysis has no incoherent signs but the highes note is 127 and the lowest 33, for an average of 74 hits for note to be balanced. The analysis below shows one sign of incoherence which is not important, the 31 of G# is part of the 3 lower notes of the Yang spiral, meanwhile 15 of A# is lower than 31, but the consecutive lower notes are 15, 31, 21 of G,G#,A, and A# could not be part of the 3 Yang spiral notes.
We can observe that the Yin Yang spiral are the same for both analysis, the YIN YANG 6+6- are the same for both analysis and the only change and the lowent note above is G# and below is G. The multiple cellular octave in A# is not important because it did not show again. THe note or notes to deliver frequencies would be the G, G# and A the most important because it is the one opposing the 3 more stressed notes of the Yin spiral.
How to define the psychological types from the voice.
How to define the octaves of the physical body, the emotional octaves y and the celular octaves.
THE VIBRATIONAL EXPLANATION OF THE UNIVERSE
The dynamics of light and darkness describe the vibrational world of color and sound.
COLOR, THE 5 ELEMENTS AND THE
The Chromodynamics of the I-Ching is used to describe the 5 elements, and the dynamics of vibration.
NOTES AND THE COLORS
How to progress the notes through the octaves till one reachesl the frequencies of light.
ACUPUNTURE MERIDIANS AND KINESIOLOGY
How to use the information of notes and color from this program with acupunture meridians and treatment with sound, tuning forks and with the light with prisms or quartz crystals activated by a penlight with filters.
SPIRALS AND THE COSMOS
How all in the universe progress through spirals.
SPIRALES AND HUMAN BODY
How we see the spirals in the body.
IRIS AND THE BRAIN DOMINANCE
Some knowledges about Iridiology and how we can decide for Brain dominance of a person.
HOW TO CAPTURE AND USE THE FREQUENCIES.
To learn more on COHERENCE and
Voice Analysis contact the author of the BIOSONIC method and computer program
Marysol Gonzalez Sterling
return to first page on Voice Analysis & Coherence.
Sound Therapy with voice analysis and treatament of brain resonance with sound frequencies.
CRANIAL WITH DOLPHINS
Sonic therapy with unwinding in the water accompanied by dolphins. Cranio- Sacral Osteopathy with tuning forks. Voice analysis of brain frequencies.
Energetic Osteopathy based on the movility of the cranium bones.
Sacro-Cranial therapy with sound and tuning forks.
Diagnosis and therapy of the missing color with prisms and solar light.
Holophonic Recording as Biosonic Cranial Therapy private session.
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