INDEX

"BIOSONIC"
Everything in the universe shows itself as light and darkness, Yin and Yang, weakness and excess. According to the 6+Yin and 6-Yang Notes, we obtain THE FOUR PSYCHOLOGICAL TYPES OF THE VOICE PLOT. Seeing the notes and areas of the chart where we have the six more notes and the other part where the six less notes fall, we can relate it to the 4 psychological types. There are 4 definitions or psychological types in every kind of description of human possibilities, as well as the iris, the astrological elements, modes or stations, the 2 feminine archetypes of the anima and the two masculine side of the animus etc.... The two feminine sides are the seductive feminine that attracts and makes the other feel wanted and loved, when it turns around  towards negatively is the vengeance, jealous and manipulative side of humans, and the protective mother that gives of herself unconditionally, when used negatively it is possessive and domineering. On the other hand the masculine side of bravery and strength can be turned to aggression and violence, as well as the intelligent side of decision and discrimination, can be turned negatively to coldness and cruelty.
When we sort the 12 musical notes in 6+ YIN notes and 6- YANG notes in the voice there are 4 patterns or characteristics in psychological expression and by mixing from these there can be generated 8 more modalities. Even though a person usually expresses themselves in two of the four modalities, and can change and express themselves sometimes with three of these twelve categories, this at least will show evident physical changes .

Seeing the notes and areas of the chart where we have the six more notes and the other part where the six less notes fall, we can relate it to the 4 psychological types. There are 4 definitions or psychological types in every kind of description of human possibilities, as well as the iris, the astrological elements, modes or stations, the 2 feminine archetypes of the anima and the two masculine side of the animus etc.... The two feminine sides are the seductive feminine that attracts and makes the other feel wanted and loved, when it turns around towards negatively is the vengative, jealous and manipulative side of humans, and the protective mother that gives of herself unconditionally, when used negatively it is possessive and domineering. On the other hand the masculine side of bravery and strength can be turned to aggression and violence, as well as the intelligent side of decision and discrimination, can be turned negatively to coldness and cruelty.

When we sort the 12 musical notes in 6+ YIN notes and 6- YANG notes in the voice there are 4 patterns or characteristics in psychological expression and by mixing from these there can be generated 8 more modalities. Even though a person usually expresses themselves in two of the four modalities, and can change and express themselves sometimes with three of these four categories, this at least will show evident physical changes

1.- The first pattern has more hits on the first notes from C to F, expresses itself by starting things with much energy and has less impulse to finish them, it is more an action person. Expresses the Cardinal mode characteristics, as well as fire element, if this expression is maintained thr could be many life styles changes, might be very brave and do many different things. When used incorrectly and inbalanced things started are not taken to completion. The behaviour could be erratic.

2.-The second pattern has more hits at the end notes from F# to B, expresses itself by starting things and getting entangled in finishing them, it is more a mental type. Everything is seen with many perspectives and views making difficult to take decisions into action. It is similar to the Mutable mode characteristics, as well as the air element where the emphasis is about a change in consciousness and understanding, but not real visible changes as in the characteristic of the first notes pattern. Completing things takes a long time, but the mental understanding is definitely processed completely, and can also be explained or developed into a theory. Hopefully other moments will help this person start things or have the courage to move into them without questioning them.

3.-This next pattern has more hits in the central notes from D# to G# aprox., because it can move slightly more to the beginning notes or the end notes, gets deeply involved in what he is doing, maybe starts a lot of things and does not have enough time to finish them, has more of an emotional obsessive quality, the same as the fixed mode characteristics, as well as earth element characteristics, where obsessive, compulsive concentration, as well as flexibility can be a virtue if it helps to finish things, or it can be curse not listening to anyone and anything. Resistance and endurance can be the best expressions, but spreading oneself to thin could make things hard to take them to completion.

4.-This fourth pattern is when the voice is shown with more hits at the beginning and the end of the notes, from A to D. Generally it is the sign of perception, and feeling, similar to the water element, with the transition from Mutable to Cardinal mode, as when the season changes. It expresses by not holding on to things, and lets them go, does not get involved in what he is doing for better or for worse, its a flowing nature could be a delight for everyone, and can have much variety or experiences. If there is no more practical issues this might be a sign of not finishing what gets started, mostly if this pattern persists for a long time. It could also belong to someone that things happen without much effort.

OTHER PATTERNS THAT CAN BE GENERATED FROM THESE, the interpretations of both patterns modalities are valid:

5.- Having more hits on the first notes and the middle notes C# to F#, it is between the pattern 1 with a tendency of 3. .

6.- Having more hits on the first notes and the middle notes D to G, it is between the pattern 3 with a tendency of 1 .

7.- Having more hits on the last notes and the middle notes F to A #, it is between the pattern 2 with a tendency of 3 .

8.- Having more hits on the last notes and the middle notes E to A it is between the pattern 3 with a tendency of 2 .

9.- Having more hits on the first and last notes from A# to D#, it is between the pattern 4 with a tendency of 1 .

10.- Having more hits on the first and last notes from B to E, it is between the pattern 1 with a tendency of 4.

11.- Having more hits on the first and last notes from G# to C#, it is between the pattern 4 with a tendency of 2.

12.- Having more hits on the first and last notes from G to C, it is between the pattern 2 with a tendency of 4.

INDEX